Discovering History Everywhere

Month: February 2019

Part 3: Colonial Williamsburg

The third and final Colonial Williamsburg installation has arrived, filled with wood, chocolate, and guns! I need to point out here, just in case I haven’t already, that there is so much more to Williamsburg than what I’ve written. On this trip, we didn’t touch at least half of the buildings! And of course, there’s nothing like asking questions for yourself, savoring a scrumptious cup of chocolate, and not having a single modern building in sight.

The Cabinetmakers

  • Cabinentmakers furnish houses
  • 60% of Virginian colonists’ furniture was made in Virginia

Colonial Williamsburg also boasts a joiner’s shop. And if you are not a woodworking expert (like me), you may wonder what the difference is between the various trades. So the lowdown is this: carpenters build the house, joiners finish the interior of the house, and cabinetmakers construct the furniture.

The furniture built by the cabinetmakers is not crude or basic, which you might expect as they are just colonies. Yes, the colonies did mainly export the abundance of raw materials they had, but there were master craftsmen there. However, of the furniture that was owned in Virginia, 60% was made there. Another 30% was imported, and the remaining 10% came from other colonies. Notice the small percentage there: the colonies weren’t always on the best terms. There were frequent squabbles over land borders.

Inside the shop, a beautiful grandfather clock stands to one side, with an intricately carved window-surround on the other. Pieces of elegant furniture line the walls. We are challenged to find the four hidden drawers inside a tall desk. Each is perfectly fitted into the wooden face. No special hardware is used on any drawers to help them slide in or out more easily.

Samples of table legs, joints, wood types, and more cover one of the workbenches. I picked up a piece of wood that was stained three different colors. The same wood looked shiny and red under a seal of seedlag (linseed oil) and wax, a cool, dark brown with oil and wax, and light brown with just wax. Different finishes were used depending on taste. Wax was always added as a final step to protect the wood.

Often, the wood was not stained, as we usually do now. The modern purpose of a stain can be to make a cheap wood look like its costlier counterpart. But back then, they had plenty of the nicer woods at their disposal. So why stain when you can use the real thing?

We were told multiple times in Williamsburg that 18th century tradesmen would have completed projects much faster than the interpreters do now. The colonists were committed, working long, hard days to finish their work. Adversely, an interpreter’s job is exactly that, to interpret. All told, they may only work 2 hours in a day on a piece.

The Carpenters’ Yard

  • Carpenters were responsible for constructing houses
  • House frames ready to be slid together on site (think barn raisings)
  • Saw pits used by two men to create planks

Unlike the other woodworkers, the carpenters are outside. They plan on building a workshop soon, since there is a lull in other projects currently. An interesting note is that they will be building a kitchen for their workspace. Evidence has been found for a kitchen and house in that specific location, but not a carpenters yard. But in the 18th century, structures were frequently repurposed, so it is historically accurate to use the kitchen for carpentry.

Surrounding the covered work area, the yard is full of shingles, and wood in its various forms. When shingles are made, each one must have a hole in it before it is nailed onto a building. Under the covering, there is a saw pit. These were used in more urban areas where a saw mill wasn’t convenient. Two men, one standing below, in the saw pit, and another above can saw logs into planks.

On the workbench several holes are drilled to be used for holdfasts. Holdfasts are a clever, simple way to secure a piece of wood to the bench while working on it. An L-shaped piece of metal is hammered into the hole, and the pressure from the hole keeps it tight. When the wood around a hole wears out, that hole is plugged and a new one is drilled.

Charlton’s Coffee House

  • 18th century drinking chocolate is very different than the hot chocolate we have today
  • The coffee house was a gathering place similar to taverns

If you like chocolate at all, don’t miss the coffee house. When you enter, you are invited to take a seat and converse with a Mr. Robert Carter, who lives in town. Since it is a coffee house after all, you are offered a small mug of coffee, tea, or chocolate. Granted, I have not tried the coffee or tea, but I can personally vouch for the chocolate.

The chocolate is thick, rich treat, which we were informed is dairy-free and contains nutmeg, anise, vanilla, cloves, and orange, among other ingredients. It is absolutely delicious.

We all sipped away at our chocolate as Mr. Carter expounded on his duties in the town, and the quality of his twelve plantations, including the weighty topic of slaves. He also discussed that he felt it perfectly fit to educate his daughters as well as his sons, even though it was extra upon the other duties they were learning.

I listened to Mr. Carter answer some formidable questions with tact and insight while staying completely in-character. I was impressed. After a bit, we slipped out the door as we were running low on time.

The Gunsmith’s Shop

  • Gun barrels were rifled with a simple, ingenious machine
  • Bullet molds were made to only fit your gun
  • Barrels started out as a long, thick rectangle of metal

Tucked away in a far corner of the historic area, this one can be easy to miss. However, I thoroughly enjoyed myself. In the shop, only two of the guns had not been made there: those were 18th century pieces. The rest are hammered there in the shop. They start with a wooden blank that is vaguely in the shape of a gun, and a long, narrow chunk of metal for the barrel. Starting in the middle (so there is a cool end to hold), the metal is formed into a long tube, ready to be rifled.

I for one had no idea how gun barrels were rifled. Fortunately, about five minutes before we arrived, a gun barrel had just been finished. The interpreter let us look down the barrel, where you could see all the curls twisting down the interior. Then they demonstrated the ingenious machine used to carve the pattern.

In the pictures to the right, you can see the long rod that is inserted into the gun barrel. On the rod’s end is a small set of metal teeth that scrape against the inside of the gun. The swirls in the wooden cylinder mimic the pattern that will be transferred by forcing the rod to follow their turns as they are rotated.

Rifled guns were not usually for battles, as they required more time to reload. Also, they must be cleaned when powder builds up too much inside so that they don’t explode. Guns, or shotguns, on the other hand, were all-purpose, and used for battles and animals. They didn’t possess much accuracy, but were much faster to load and gave a spray of ammunition (shot).

When a rifle was made for you, you would also receive a bullet mold, which needed to be kept very safe. Oftentimes, a bullet mold would fit only your gun, and vice versa. In a time where everyone made their own bullets instead of buying them from a store, making sure you had ammunition that could fit your gun was very important.

Shuttle Ride and Visitor Center

  • Shuttle rides are free with admission
  • The Visitor Center has ticketing, large gift shops, and an introductory movie

Shuttles rotate around the historic area and visitor center, a helpful service when you’ve been walking all day, or if you want to minimize walking.

The visitor center has two large, interconnected gift shops. However, they don’t carry everything that is sold in the historic area. For example, the Prentis Store vends items handmade by interpreters which are not sold elsewhere.

Ticketing is located at the visitor center, along with costume rentals. There is a video about the historic area, but we forgot to watch it :).

Colonial Williamsburg has done a phenomenal job of presenting history in an accurate and engaging way. Going there was an amazing experience, and I recommend it to anyone who has the opportunity. In the meantime, they have a profusion of intriguing resources on their website and blog that I encourage you to check out.

Please contact me if you have any questions!

Home page of History.org : The Colonial Williamsburg Foundation’s official History and Citizenship site

In Colonial Williamsburg’s 301-acre Historic Area stand hundreds of restored, reconstructed, and historically furnished buildings. Costumed interpreters tell the stories of the men and women of the 18th-century city-black, white, and native American, slave, indentured, and free-and the challenges they faced. In this historic place, we help the future learn from the past.

The Russian Icon Museum

The Russian Icon Museum

Possibly the least likely spot for a Russian Icon museum is the tiny town of Clinton, Massachusetts. This unassuming town actually boasts the largest collection of Russian icons outside of Russia! Perhaps unsurprisingly, the museum is also the only one in the United States dedicated completely to icons.

Some fast facts:

  • Icons are not Objects of Worship
  • The Museum has icons from the 15th Century to the 21st Century
  • Writing icons is a detailed process, requiring a lot of skill

In the Orthodox church, icons are not viewed as idols, or as something to be worshipped. They are depictions of people and meaningful events. They serve as reminders of those who have gone before, and as a glimpse into heaven. Different people will have varying answers, but the base line is clear: they are not idols. This is part of the issue that divided the Eastern and Western Churches in 1054 AD.

The Collection

Ranging from the 1400’s to the present day, the museum’s collection is impressive. To think that you are standing before a piece of art created in a remote monastery in the 17th century is incredible. On some of the icons, you can see the painting falling away, revealing the thick layer of canvas and gesso beneath. Some contain hundreds of detailed figures; magnifying glasses hang nearby so you can view the tiny faces.

For those who wish to earn a small prize, there are scavenger hunt pages. Items on the list include a unicorn, dragon, and other oddities within the icons.

Downstairs, an exhibit filled with modern Russian art shows the disparity and similarities between the eras.

Also downstairs is the tea room, where you can purchase Russian tea packets and sweets. There is a machine to brew the tea there, along with small tables.

Throughout the museum, there are many video stations with audio handsets nearby. Topics include traditional embroidery, a trip across Russia, icon writing, and matryoshka dolls (the last is a temporary exhibit).

Writing an Icon

The process of creating an icon is mesmerizing. Typically, the artist starts with a block of wood that is carved out in the middle to provide a raised frame. The wood is then covered with canvas and gesso. Outlines for the image are cut into the board. Many layers of color are daubed onto the surface, going from dark to light.

You may have noticed that the proper term for making an icon is writing, not painting. In brief, it is to distinguish the art of iconography from others.

The Different Stages of an Icon

The video below is a perfect example of icon writing!

SKINIYA. CREATING AN ICON. ANTON & EKATERINA DAINEKO

short but very informative film about creating an icon We are happy to invite you to our class in Charleston SC January 2018 https://www.eventbrite.com/e/anton-and-ekaterina-daineko-icon-painting-master-class-charleston-sc-tickets-36964835819 in Texas February 2018 https://www.eventbrite.com/e/master-iconography-class-of-anton-and-ekaterina-daineko-in-texas-tickets-35463562470 10 days icon-painting workshop in Michigan June 2018 https://www.eventbrite.com/e/antonekaterina-daineko-master-class-icon-painting-and-gilding-michigan-tickets-36474927490 all information you can get on our website WWW.IKONA-SKINIYA.COM or by email PTAHMINSK@gmail.com

The Russian Icon Museum is a surprising gem inside Clinton. High-quality galleries, lighting, and displays present the artifacts in an appealing, engaging way. For anyone interested in Russia or art this is a must-see!

VISIT

WELCOME! The Museum of Russian Icons inspires the appreciation and study of Russian culture by collecting and exhibiting one of the world’s largest collections of Russian icons – sacred paintings used for veneration in the Orthodox tradition.

Hidden Industries of Bolton

Sometimes history is right around the corner, just under your nose. You can travel to big museums, and be amazed and immersed. However, there’s a certain thrill to unearthing something special nearby that frequently goes unnoticed. And that’s just what happened to me.

At the Bolton Historical Society, I had been told that there was an old pump log mill, lime quarry, and kiln off of one of the local trails. The kiln had been partially rebuilt, there were a few remains of the mill, they said, and don’t go one way or you might get lost.

So I finally decided to go see for myself what was left. I made sure to take the more straightforward route to avoid getting lost.

I drove past it the first time. There is a small, dirt parking lot off the side of the road with a sign behind it. Fortunately, Bolton Spring Farms is nearby, and I was able to turn around with minimal time lost. A board stands at the trailhead, with a map that you’re welcome to borrow. I recommend snapping a photo of the metal sign: numbered posts that are along the trail are labeled there.

The Pump Log Mill

  • Pump logs were wooden pipes
  • Hollowing out a log was a hard, tedious process
  • Black locust wood was the best choice for durability

Just down the Bob Horton Memorial trail is a slightly precarious-looking bridge. You can go straight at this point for a longer walk, but I crossed the bridge -which held firm- to get to the kiln and quarry faster.

The bridge is actually built over the remains of the dam used for the pump mill. In the information booklet, it says to look closely for floor boards near the stream. I think I found one! I also really appreciated the booklets found by each landmark, which gave pictures, diagrams, and descriptions of the historical significance of the sites.

These pump logs, wooden pipes, were actually buried underground when finished. Holes were bored through the center using extremely long augers. Often, the wood shavings would build up, and the auger would have to be removed, cleaned, and reinserted.

The Lime Kiln and Quarry

  • Limestone is superheated to be used for plaster and other things
  • The limestone deposit in Bolton was the second one found in New England
  • In the 1800’s, the Whitcomb Quarry filled with water so quickly that the oxen were drowned

Tucked away in one of Bolton’s conservation lands, there are the remnants of a once-bustling industry. Large, uneven craters filled with water pock the forest. Trees enclose the rocky faces of the quarries, and grass and dirt are built up around the kiln.

The History

Partial view of the large Whitcomb Quarry

The two smaller quarries are the original ones. John Whitcomb, the third generation to own the land, was the first to mine the stone. Colonists used the limestone derivatives to plaster their homes. As only the second lime quarry in New England, Whitcomb’s products were in high demand for use by the burgeoning population.

At his death in 1785, Whitcomb bequeathed the business to two of his sons. One son died at the age of 40, and his share was divided among the family. When the surviving son died, the company was sold off. Shortly afterwards, an underground water source was struck by mistake.

The water poured in with such force that men were running for their lives. Some even said that the oxen who powered the machine used to lift limestone were drowned. However, the story remained untested until the quarry was pumped dry in 1937 and metal ox shoes were discovered.

The reason the pit was pumped out was to allow another company to take a stab at excavation. A business from Somerville leased the land, hoping to glean limestone to produce agricultural lime. Constant pumping was required to keep the quarry dry. When equipment was soon damaged by the Bolton limestone’s uncommon hardness, the company left.

No commercial purpose has rallied people to the quarry since.

The Process

View from the top of the Lime Kiln

In order to convert limestone into the much desired quicklime, the rock must be fired. Kilns were constructed out of the very rock that was excavated from the site. But this stone didn’t burn, as the soaring temperatures formed a protective glaze around them. This effectively sealed in all heat.

When loading the cylindrical kiln, larger pieces of limestone were placed in an arch at the bottom. Smaller pieces were filled in above. The arch allowed space for a fire to be built beneath. Once the fire was lit, and the entire kiln was hot, the heat was maintained for three to four days.

Along with the sinking of the kiln’s contents, the amount of effort used to pass a metal rod through the lime determined whether the process was complete or not.

Once the firing was finished, the new, caustic substance of quicklime was removed. With the addition of water and sand, the quicklime would eventually convert back to limestone when exposed to carbon dioxide. Now the colonists had a sturdy resource to use for mortar and plaster in their homes.

Surprisingly, only one or two firings per year could provide the annual lime required for a small community.

Every place has history; but it’s not always obvious. Knowing the stories behind our cities, states, and countries gives us special connections to our home. Explore your surroundings! You might just discover something exciting and new.

Part 2: Colonial Williamsburg

A good day to you! I hope you had a pleasant weekend, perhaps with some gameday fun 🙂 This week is a continuation of my jaunt through Colonial Williamsburg. Now, there is a lot of content, so feel free to read through just the summaries if you’re short on time.

Colonial Garden

  • Gardens were grown year-round in Virginia
  • Leeks, turnips, lettuce, chard, and beets were common winter choices
  • Some plants are kept under closhes: glass domes used like mini-greenhouses

Though you might suspect that winter was the colonist’ break from the garden, it wasn’t; duties were just scaled back a little. In Virginia, the temperatures stay warm enough to allow several varieties of food to be grown during the cold season. Many cold-weather crops were tended to provide fresh ingredients for the diet. More delicate plants, such as lettuce, would be kept under personal glass domes when the weather was below freezing. Perhaps surprisingly, salads would’ve only been eaten by the upper classes at that time, and not on an everyday basis.

The Bruton Parish Church

  • The bell tower and congregation are still active today
  • Major 18th century figures such as Patrick Henryattended the church
  • The structure was partially built over a graveyard

The Bruton Parish Church is actually separate from Colonial Williamsburg, and they suggest a $1 donation for visiting. The church is still in use today, holding prayer services, along with a weekly Sunday service. We wove through a few grave sites, and then entered the bell tower. Little children were being given the chance to ring the bell if they wanted.

I noticed that there was a broken headstone inlaid in the floor. When I asked about it, I was informed that there was no body under that particular one. However, when the parish was restored the 20th century, unmarked graves were discovered. They were reinterred in a cement case with a funeral. But some gravestones were laid into the floor. The man told me that visitors are often cautious of walking of them. With a grin, he said that he always says that he’s never heard any complaints.

An organ is in the process of being made for the church. The previous organ had suffered from Virginia’s fluctuating, humid weather, and needed to be replaced. Interestingly, the organ has changed locations over the years. At first, it was set against the wall to the side, above the altar. Later, someone decided that it needed to be symmetrical, switching the instrument to be exactly in the center. This covered the round window, which had remained covered for about 80 years. When the old organ was removed, the window was opened for the 2018 holiday season. Now the window has been sealed again to prepare for the next organ’s arrival.

Along the aisle, with its enclosed pews, you’ll see names of people who sat there on the doors. Several notable figures are present, including James Monroe, Thomas Jefferson, George Washington, and John Marshall. Quite the list! Virginia was really a center for revolutionary ongoings as well.

The Weaver

  • 8 spinners required to supply one operating loom
  • Weavers memorize the patterns for various fabrics
  • Cochineal beetles were used for red dyes then and now
Dyed Yarn

At Colonial Williamsburg, the weavers’ shop has two looms. However, some shops would only have had one, and the master weaver would be the one on the loom. The young interpreter told us that she had been apprenticed there for one year, beginning right out of high school. Williamsburg actually still hires people to go through the traditional training for trades. First, an apprenticeship, 4 years for girls, and 7 years for boys, starting when they were 14 years old. Now Williamsburg accepts apprentices of all ages.

The looms are threaded with thousands of strands. Apparently, grasping the basic concept of weaving only takes a couple hours. On the other hand, the process of threading the loom takes years of an apprenticeship. The thread itself was imported to the colonies, and Williamsburg doesn’t spin all their yarn now either. Since 8 spinners were needed to keep one weaver going, it was impractical to spin it all themselves.

From dying to weaving, the whole fiber process is represented at the weaver’s. Silk worm casings lie on the table, along with other materials used for dyes. One of the popular substances for getting red dye was cochineal beetles. These insects were crushed and yielded a beautiful color. Something to note though: they are still used in several items today, including red skittles!

Blacksmith

  • New tongs are created for different projects
  • Blacksmiths did a lot of repair work

Inside the blacksmith shop are 4 forges. Tools line the walls and tables. One forge is surrounded by tongs. Different sizes and shapes of tongs were required for varying projects, so new ones were often made. For his first few years in operation, a new blacksmith would need to craft new tongs very frequently. But once he had a stockpile of tongs for certain processes and projects that he worked on often, he would only have to construct another pair every once in a while. Sometimes, a pair would only be used one time, for a specialized task. However, the interpreter there had heard of a blacksmith who owned just a few tongs, but was constantly reforging them to meet his needs.

DOG Street Gastropub and M. Dubois Grocer

Located just outside of the Historic Area, the Gastropub was a great place to have a meal. With a great atmosphere, attentive service, and tasty food, we had an enjoyable lunch here.

The Grocer sells candy and other snacks, but they also have the Raleigh Tavern ginger cakes, which I had heard of before we visited.

Raleigh Tavern: Meet a Nation Builder

  • There is no script, just thousands of Jefferson’s letters to refer to
  • Jefferson quotes were seamlessly integrated into the conversation
  • The actor actually seemed like Thomas Jefferson!

When we sat down in the Raleigh Tavern’s crowded Apollo Room, I had significantly lower expectations than when I left. Williamsburg employs several people to portray specific figures from the time of the American Revolution. This presentation was by the young Thomas Jefferson, a.k.a. Kurt Benjamin Smith. After being introduced by an interpreter, Thomas Jefferson walked into the room. From the moment he arrived, he was completely in character.

He spoke about Jefferson’s belief that education was a right, of the oft-forgotten perspective of Jefferson being a traitor to his country of Britain, and that he wanted to free and educate slaves, but also desired to ship them back to Africa. He loved his mentors, George Wythe and William Small, commenting that we frequently forget the teachers, even though they are the ones who shape the student. And he reminded us that the Revolution was not a war over taxes, but over fundamental rights that were granted to every Brit in the Magna Carta hundreds of years prior.

You can tell that he has researched his character extraordinarily well. He was able to answer visitors’ questions thoroughly, and without hesitation. Repeatedly during the performance he referenced Jefferson quotes, and they seemed to perfectly fit into what he was saying, as if natural. Jefferson was know to be witty, and so was Smith. He gave Jefferson’s opinions on various topics in a way that was thought-provoking and inspiring. He left us with a request to let this not be just a nice, one-time conversation, but that we would go and take part in our country, civilly conversing with each other.

If you go to Colonial Williamsburg, make sure you see Young Thomas Jefferson! We agreed this was the highlight of our trip.

Wetherburn’s Tavern

  • Wetherburn’s was considered one of, if not the, nicest tavern in colonial Virginia
  • The building is furnished according to a detailed, room-by-room inventory
  • George Washington visited the tavern’s ballroom

Unlike most of the buildings, there are guided tours offered on the hour and half-hour at Wetherburn’s Tavern. The tavern boasted public and private rooms. The private rooms would be rented out for clubbing, smoking, gambling, and drinking. One story goes that two men bet land on whose raindrop would reach the bottom of the windowpane first. Gambling was pretty popular, to say the least.

Upstairs were the bedrooms where weary guests could sleep. In one room, there are only two beds, which is accurate. Many visitors would bring their own bedroll, which was basically a woolen blanket, and sleep on the floor. Adversely, the ones sleeping in beds might not necessarily be the luckier ones: you never knew what sorts of bugs were lurking there.

Farther down the hall is a room that was reserved for a Mr. Page. Instead of buying a house in town or staying with friends, Mr. Page just reserved a room in the tavern. But if someone was sleeping in the next room down, they would have to walk through Page’s room.

Women were allowed to sleep with their husbands at taverns, but downstairs, they didn’t really use the public rooms. Sometimes they would be in the private rooms, but the most likely reason for a woman to come to Wetherburn’s would be the balls. A large ballroom was added onto the tavern and balls were regularly held, along with extravagant dinners. George Washington even attended an event there once!


I hope you’ve enjoyed the tour of Williamsburg! Check out the links below for some fantastic resources. Till next week!

Father Figures

by Joe Straw Photography by Dave Doody Thomas Jefferson’s story is big. So big that Colonial Williamsburg needs two people to convey his full evolution from an upstart patriot to a statesman who helped mold America. For more than two decades, Bill Barker’s warm, far-reaching interpretation of the patriot and third President has made him a Historic Area institution.

Bruton Parish: Home

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Nation Builders

An elite cadre of interpreters, Nation Builders portray real historic figures associated with 18th-century Williamsburg who made significant contributions to the American story. Meet a Nation Builder during your visit who helped shape their time, and whose legacy continues to influence and inspire American ideals.

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